MAXIMA Film Review — Fighting for Indigenous Peoples Worldwide https://www.picturethispost.com/maxima/ MAXIMA begins with stunning views of the sweeping Peruvian highlands. Aerial footage takes viewers through the Andean mountainside with clear blue lakes and lush forests. Daylight streams through wispy, low hanging cirrus clouds while birds sing in chorus with orchestral music. After scenic naturistic establishing shots, we encounter a pensive native woman whose face is lit

Nova Frontier Film Festival Presents THE SQUAT – Immigration Means Survival https://www.picturethispost.com/nova-frontier-film-festival-presents-the-squat-review/ Visit Latin America, the Middle East, and the African Diaspora through Nova Frontier Film Festival Films We first read the words of Warsan Shire on a simple black and white title card –“No one leaves home unless home is a mouth of a shark,” and fear the imagination of 50 rows of razor sharp teeth closing in. Slowly

WAITING FOR THE BARBARIANS Film Review — Who Are the Savages https://www.picturethispost.com/waiting-for-the-barbarians-review/ Waiting for the Barbarians opens with arid grasslands encompassed by the snow-tipped mountain ranges of Central Asia. Situated on this infertile land is an adobe settlement. Napping guards, clothed in the tones of their sand-cloaked surroundings, line the battlements of the town’s gate. Inside the adobe buildings, an old man with a gentle countenanc

OVID.tv Presents AFFLUENZA Review — High Consumption Society https://www.picturethispost.com/ovid-tv-presents-affluenza-review/ Before coming to our title screen, filmmaker John de Graaf opens with a scene from a spoof of a once popular soap opera Lives of Our Days. A patient in a surgical gown and comically ornate jewelry begs her doctor for a pill to fix her disaffection. Regretfully, the doctor informs his patient that she is suffering from affluenza; ironically calling it

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